陈拍岸，1988年生于广东广州，2013年毕业于广州美术学院雕塑系，目前工作生活于广州。其创作涉及数码绘画、图像、文本及影像。
他的个展有：“那你要不要做艺术家？”，弥金画廊，上海，中国（2021）；“开什么玩笑”，广州画廊，广州，中国（2019）；“滋生在尾房的”，1a Space，香港，中国（2018）。
作品也在以下群展中展出：“从叠影中穿过”，弥金画廊，上海，中国（2022）；“吾辈”，SNAP艺术中心，上海，中国（2022）；“60169019”，Brownie Project，上海，中国（2019）；“前置未来”，东莞市文化馆，东莞，中国（2019）；“From Its Course Into Channels”，Hessel Museum of Art，纽约，美国（2019）；“大健身”，南京艺术学院美术馆，南京（2018）；“陈拍岸，黃永生，伍思波”，TABULA RASA，北京，中国（2018）；2017深港城市/建筑双年展，深圳，中国（2017）；“陈拍岸、黄山、赖志杰、黎卓华、文俊杰”，广州画廊，广州，中国（2017）；“所见非所见”，Fort Mason Festival Pavilion，旧金山，美国（2017）；“画内音”，OCAT图书馆，深圳，中国（2017）；第三届CAFAM双年展，中央美术学院美术馆，北京，中国（2016）；“出了广东的鸡不是鸡”，Reformer Space，上海，中国（2016）；“场域的毛细管”，广州美术学院美术馆，广州，中国（2016）；“机构生产”，广东美术馆，广州，中国（2015）。
Chen Pai’an was born in Guangzhou, China, 1988. Graduated from sculpture department of Guangzhou Academy Of Fine Arts in 2013, currently based in Guangzhou. Chen usually works with digital painting, images, literature and video.
Chen’s solo exhibition include: “Be An Artist Then?”, Gene Gallery, Shanghai, China (2021), “What Kinda Joke Is This”, Canton Gallery, Guangzhou, China (2019); “Breeding in the Last Room”, 1a Space, Hong Kong, China (2018).
Also exhibited in the following group exhibitions: “Passing Between Reality and Falsehood”, Gene Gallery, Shanghai, China (2022), “Fellows”, SNAP, Shanghai, China (2022), “60169019”, Brownie Project, Shanghai, China (2019), “Prepositive Future”, Dongguan Culture Center, Dongguan, China (2019); “From Its Course Into Channels”, Hessel Museum of Art, New York, America (2019); “Big Workout”, AMNUA, Nanjing, China (2018); “Chen Pai’an, Wong Wing Sang, Wu Sibo”, TABULA RASA, Beijing, China (2018); 2017 Bi-city Biennale Of Urbanism / Architecture, Shenzhen, China (2017); “Chen Pai'an, Huang Shan, Lai Zhijie, Lai Cheuk Wah, Wen Junjie", Canton Gallery, Guangzhou, China (2017); “What You See Is Not What You See”, Fort Mason Festival Pavilion, San Francisco, America (2017); “Rhythm-analysis”, OCAT Library, Shenzhen, China (2017); 3rd CAFAM Biennale, Museum of CAFA, Beijing, China (2016); “Aint No Chicken Outside The Canton”, Reformer Space, Shanghai, China (2016); “Capillaries Of The Field”, Museum of GAFA, Guangzhou, China (2016); “Institution Production”, Guangdong Museum of Art, Guangzhou, China (2015).