陈拍岸，1988年生于中国广州，现居广州。本科毕业于中国广州美术学院雕塑系，后从事艺术实践至今。其艺术转向突破传统范式，将商业广告的视觉语法与方法论创新性地植入当代艺术语境，构建商品符号的解构与重构体系，形成对消费社会文化现象的深刻洞察力。他的创作以跨媒介实践为根基，通过幽默机智的语言策略，对自然景观与人工造景的双重凝视，揭示表面冲突下潜藏的崇高本质。
他的个展有：“原地旋转“，弥金画廊，上海，中国（2025）；“那你要不要做艺术家？”，弥金画廊，上海，中国（2021）；“开什么玩笑”，广州画廊，广州，中国（2019）；“滋生在尾房的”，1a Space，香港，中国（2018）。
作品也在以下群展中展出：”Meme to Jam 2.0”, J7 ART，上海，中国（2025）；“第三文化原住民”，颂艺术中心，北京（2025）；“Meme to Jam” X sign Space，杭州，中国（2024）；“筒仓，算力，垂直之梦“，可以画廊，合肥，中国（2024）；“ASPHALT”，弥金画廊，上海，中国（2024）；“从叠影中穿过”，弥金画廊，上海，中国（2022）；“吾辈”，SNAP艺术中心，上海，中国（2022）；“60169019”，Brownie Project，上海，中国（2019）；“前置未来”，东莞市文化馆，东莞，中国（2019）；“From Its Course Into Channels”，Hessel Museum of Art，纽约，美国（2019）；“大健身”，南京艺术学院美术馆，南京（2018）；“陈拍岸，黃永生，伍思波”，TABULA RASA，北京，中国（2018）；2017深港城市/建筑双年展，深圳，中国（2017）；“陈拍岸、黄山、赖志杰、黎卓华、文俊杰”，广州画廊，广州，中国（2017）；“所见非所见”，Fort Mason Festival Pavilion，旧金山，美国（2017）；“画内音”，OCAT图书馆，深圳，中国（2017）；第三届CAFAM双年展，中央美术学院美术馆，北京，中国（2016）；“出了广东的鸡不是鸡”，Reformer Space，上海，中国（2016）；“场域的毛细管”，广州美术学院美术馆，广州，中国（2016）；“机构生产”，广东美术馆，广州，中国（2015）。
Chen Pai’an was born in 1988 in Guangzhou, China, currently resides in his hometown. He graduated with a bachelor's degree from the Sculpture Department of the Guangzhou Academy of Fine Arts in China and has been engaged in artistic practice ever since. His art represents a departure from traditional paradigms, innovatively integrating the visual grammar and methodologies of commercial advertising into the context of contemporary art. This approach constructs a system of deconstruction and reconstruction of commodity symbols, fostering a profound insight into the cultural phenomena of consumer society. Grounded in cross-media practices, his creations employ witty and humorous linguistic strategies to offer a dual perspective on natural landscapes and artificial scenery, revealing the sublime essence that lies beneath apparent conflicts.
Chen’s solo exhibition include: “Ground Drilling”, Gene Gallery, Shanghai, China (2025); “Be An Artist Then?”, Gene Gallery, Shanghai, China (2021), “What Kinda Joke Is This”, Canton Gallery, Guangzhou, China (2019); “Breeding in the Last Room”, 1a Space, Hong Kong, China (2018).
Also exhibited in the following group exhibitions: “Meme to Jam 2.0”, J7 ART, Shanghai, China (2025); “Z Generation of Third Culture: Interculture Child”, Soul Art, Beijing, China (2025); “Meme to Jam”, X sign Space, Hangzhou, China (2024); “Silo Dreams”, Keyi Gallery, Hefei, China (2024); “ASPHALT”, Gene Gallery, Shanghai, China (2024)“Passing Between Reality and Falsehood”, Gene Gallery, Shanghai, China (2022), “Fellows”, SNAP, Shanghai, China (2022), “60169019”, Brownie Project, Shanghai, China (2019), “Prepositive Future”, Dongguan Culture Center, Dongguan, China (2019); “From Its Course Into Channels”, Hessel Museum of Art, New York, America (2019); “Big Workout”, AMNUA, Nanjing, China (2018); “Chen Pai’an, Wong Wing Sang, Wu Sibo”, TABULA RASA, Beijing, China (2018); 2017 Bi-city Biennale Of Urbanism / Architecture, Shenzhen, China (2017); “Chen Pai'an, Huang Shan, Lai Zhijie, Lai Cheuk Wah, Wen Junjie", Canton Gallery, Guangzhou, China (2017); “What You See Is Not What You See”, Fort Mason Festival Pavilion, San Francisco, America (2017); “Rhythm-analysis”, OCAT Library, Shenzhen, China (2017); 3rd CAFAM Biennale, Museum of CAFA, Beijing, China (2016); “Aint No Chicken Outside The Canton”, Reformer Space, Shanghai, China (2016); “Capillaries Of The Field”, Museum of GAFA, Guangzhou, China (2016); “Institution Production”, Guangdong Museum of Art, Guangzhou, China (2015).